The last 'official'
class I took in graduate school (per my 'unofficial' transcript) at the
University of Vermont was Studies in Rhetoric and Composition. Besides the fact
that the teacher cancelled the last class of the semester because it was too
hot[1]
(!!!) outside, I recall that I wrote about the first book that ever affected me, A Clockwork Orange by Anthony Burgess. I
read the book before I saw the movie and that 'has made all the difference' as a well-known Vermont poet once
wrote.
The book is arranged into twenty-one chapters.
American publishers excised the last chapter from early US editions because
they thought it wouldn't wash with violence-loving Americans. Kubrick
consciously leaves this symbolic twenty-first chapter (he called it an 'extra'
chapter) out of his film adaptation. Depending on one's opinion, Kubrick's
decision is either reckless or ingenious or both. The last chapter
details what happens to Alex after he is 'cured' that second time. He runs into
one of his old droogs (Pete, I think?) at a cafe. Pete has a girlfriend now.
Pete has moved on. Alex has not. I remember I finished that last chapter,
closed the book and then threw it across my parent's living room. I was angry
at the fact that a book as cool as A
Clockwork Orange was trying to tell me something about life and what it
means to 'grow up,' and it wasn't trying to be all 'preachy-talky' as Alex
would say. It said what it said, no apologies, no exception, not a bit of
finger-wagging and no lesson; perfect for an obnoxious know-it-all
teenager.
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